Voting open until Friday morning. Here are this week's contenders:
Comment #1: a new comment on your post "Will 'Spider-Man' Injure More Actors?":
Although I understand that the SPider Man, after long lasted lawsuit; tries to increase its profitability by performing outside the US, it is hard to understand why they are planning this right now. Ithink the most important thing for now is to focus on successful and stable performance in New York. Looking at precedant accidents, I am doubtful that any kind of accident is possible for the actors next time because spider man deals with such aggressive and dangerous actions like flying. However, if the team has to move to another city to perform with completely new theatre that has different system, it can cause another disaster and it should be seriously considered because such accident can be very hazardous for actor's career. Moreover, as the article says, it will be extra charge for them to move around with extra charge for advanced techniques too. I am really glad that they made a settlement for the lawsuit, but I want the producers to take a safer and more precise step before they decide to change things because they will not want to be on news with another negative incidents again, which will only decrease audiences' credibiltiy or support.Comment #2: a new comment on your post "Nicholas Hytner: With Shakespeare, the play is jus...":
I love the point that this article makes, and it's one that I don't think I've ever really thought about in those terms: a play, unlike a book, is by definition meant to be performed, and so it make perfect sense that plays are left "incomplete" in a sense, and it is each production's job to fill in the blanks. I think that's what makes theatre so exciting, and especially Shakespeare. Because Shakespeare doesn't provide every single backstory and event, it allows each production to interpret it differently, and basically tell a different story. As the article mentions, if Polonius delivers his famous line as a pompous ass, then it means something COMPLETELY different than if he smirks or if he flinches or if he smiles. I think that's what makes theatre so engaging: no performance is ever the same, and even if you've seen Othello or Romeo and Juliet or Hamlet 100 times, there will always be a different story for you to discover.Comment #3: a new comment on your post "Smartphones Acting In Concert, At A Concert":
This is both cool and scary. Like pretty much everyone else who commented, I agree that this is a great development, and could be applied in many very useful ways. It could indeed be great in disaster and war zones; more and more, we are seeing technology allow for better access to humanitarian aid and social change(see: Arab Spring).Comment #4: a new comment on your post "4 Career Lessons From A Former Design Intern":
It is a bit scary though to think about the potentially malevolent uses of this technology. After all, if someone creates a software that allows to control mobile devices like this WITH THE USER'S CONSENT, you can be sure that soon enough someone will hack it and take advantage of that. And I don't really like the idea of someone getting into my phone via some cool technology I downloaded. But maybe it's not a risk. Maybe I'm just being alarmist.
In the meantime, I still think it's a cool technology.
First, I'd like to complain about the ads on this page. with that said, I really like this advice.Comment #5: a new comment on your post "The Right Chair":
I love reading advice from someone who can actually back up why these things are important and I just love how relevant it is. I also think that it's very easy for us to roll our eyes at this type of advice but the way this article was written makes it very hard to ignore the fact that a lot of the things we do in our daily lives are advised against for good reason. We shouldn't be competing with each other to be "better" because, not only are we in a collaborative field, but we can make something better together than we every could apart, if only we can just put our egos aside. We shouldn't be designing a project just because we think "Susan will love it." but because we love it. We are all here because we love this art form and the second we start designing for someone else it stops being important. I think that something else we all tend to lose sight of is how to relax. This article is right, work will always be there, but (forgive me for sounding corny) we'll only be this young once. Yes, school and grades are extremely important, but who says we can't do well in school and also have a little fun? Even if that fun is just taking an afternoon off and spending some time in the park with a book, we should still remember to make time for that. I think we should all be remembering this advice and taking it to heart.
THIS IS WHAT I HAVE BEEN WAITING TO READ. This Journalist KNOWS what to say and how to say it.
"Why should lack of resources become an excuse for shoddy craftsmanship, or for compromising the quality of what we are capable as artists?"
I strongly believe that you can achieve an adequate and almost perfect world for a show without the biggest budget. I think it is a matter of knowing where to look for the materials, knowing how to design with a budget in mind, but not letting that stop the way that you envision the show. This journalist knows how to speak on this topic. FOR EXAMPLE... My group (for Susan Tsu's final design project) needed a ton of mirrors. This would have cost us about $500 on a $250 budget. Guess how much it cost? $0. We simply reached out to someone, and they extended a hand to help us.
Design what you want, and make it work.