Sunday, February 28, 2016

Worth a Look

Here are a few articles from last week's Greenpage that might be worth your time...

Sam Jacob: "The copy is both despised and feared"

www.dezeen.com: Conservation is often misunderstood as a practice concerned with the past. Really though, like the best science fiction, the subject of conservation is the present. Or more exactly, it is the site of intersection for ideas about the past, framed within the morality and ideology of the present. Its tools and techniques, for example, are both highly traditional and cutting-edge. Think of the conservation studio like a cross between an emergency room and a medieval workshop. A place where X-rays and linseed oil converge. And now, of course, where digital technologies too join the deployed to image, scan and otherwise document the artefacts of human culture.


2 decades later scholars to assess August Wilson’s shocking ‘race’ speech

Theater Cues: Twenty years ago, at the 1996 Theatre Communications Group (TCG) annual conference at McCarter Theatre Center, Pulitzer Prize- and Tony Award-winning playwright August Wilson delivered the event’s keynote address and blew the lid off the place.

I was there covering the three-day event for the Asbury Park Press as it’s Theater Writer.

“The Ground on Which I Stand” was simultaneously cheered and booed. I couldn’t believe the gamut of emotions from outrage to shouts of encouragement, people walking out and others nodding heads in agreement and applauding. The reactions to the speech which addressed questions of race, diversity, and cultural identity in the American Theater broke down along racial lines.


John Oliver's Attack on Hollywood Whitewashing Is Both Sad and Hilarious

io9.gizmodo.com: Sometimes you sit in front of your TV and realize you’re watching something important. It happens quite often on HBO’s Last Week Tonight with John Oliver and Sunday’s episode was no exception. In addition to an incendiary piece about abortion laws, Oliver attacked Hollywood whitewashing.


Copyright Office Decides To Rewrite Copyright Law Itself, Blesses A 'Making Available' Right That Isn't There

Techdirt: The Copyright Office has decided to take a stance on copyright law that requires two slightly odd things. First, it requires ignoring what the Copyright Act actually says and then, separately, it requires pretending that the law says something that it clearly does not say. That's pretty incredible when you think about it.


Playwright Lynn Nottage: theatre is the last bastion of segregation

Stage | The Guardian: American playwright Lynn Nottage has criticised the lack of racially diverse stories being produced on major stages and described theatre as the “last bastion of segregation”.

Nottage was in London to receive the prestigious Susan Smith Blackburn prize for female playwrights at a ceremony at the National Theatre in London, one of three black women shortlisted for the global prize.

Monday, February 22, 2016

Worth a Look

Here are a few posts from last week's Greenpage that might be worth your time...

The Same Four Operas Are Performed Over And Over

FiveThirtyEight: The Metropolitan Opera announced its 2016-17 schedule this week, and it still can’t quit its old standbys. Just three days into its new season, which starts in September,1 the Met will have already returned to its most-performed work:2 Puccini’s “La Boh√®me.” About a month after that, Verdi’s ”Aida” will take the stage. Two-and-a-half months after that: Bizet’s “Carmen.” The three most-performed works in Metropolitan Opera history will all appear next season, as is so often the case.


New Research Shows That Women Get Less Credit When Working In Teams

Fast Company | Business + Innovation: Teamwork makes the dream work, or so the old leadership bromide would have us believe. The catch is that all members of said team deserve credit for playing their part. However, a new study from a Harvard researcher indicates that in group work—as in pay, leadership, board representation, and other areas—there’s an inequity between women and men.


ESTA's Technical Standards Program Volunteers Recognized for Service

Lighting&Sound America Online - News: ESTA's Technical Standards Council announces the recipients of the third annual Above & Beyond Awards designed to recognize outstanding Technical Standards Program volunteers. The awards celebrate those volunteers that have made a significant contribution or effort that advances the Technical Standards Program. The TSP exists because hundreds of individuals from across the industry volunteer their expertise and significant amounts of time throughout the year to write standards that increase safety, solve problems, and make life easier. These awards are particularly meaningful to the recipients because the nominations are made by their peers within the Technical Standards Program.


Diversity in theatre: why is disability being left out?

Stage | The Guardian: True diversity in British theatre is scandalously overdue. It will bring huge benefits both creatively and organisationally, but I’ve long argued that until we get over a tick-box mentality in the arts nothing is going to really change, and that British theatre risks becoming increasingly irrelevant.


How Emily Lazar Became the Only Female Mastering Engineer Ever Nominated for a Grammy

www.elle.com: This year, Emily Lazar became the first woman to be nominated for a Grammy in the category of Best Engineered Album, Non-Classical. That means that Lazar's work as mastering engineer on The Bird and the Bee's album Recreational Love marks the first time in 58 years we've had a female nominee in the category. It's not the first time that Lazar, who owns and runs New York-based mastering studio The Lodge, has made history for women during the Grammys, however: She's previously been the first female mastering engineer nominated in two other categories, which is both impressive and concerning. (There's such a dearth in the industry, in fact, that Grimes recently namechecked Lazar as the only mastering engineer on record.) Lazar, who has worked on over 2,000 albums, with everyone from David Bowie and Sonic Youth to the Foo Fighters and Madonna, spoke to us about her experience, and what it means to make Grammy history.

Tuesday, February 16, 2016

Worth a Look

Here are a few posts from last week's Greenpage that might be worth your time...

Creating While Female: How Women Artists Deal with Online Abuse

Broadly: Never before have female identified artists had a greater platform to showcase their work. With over 7 billion Internet users worldwide—400 million on Instagram alone—gallery owners and record label executives are no longer the gatekeepers of the female artists' visibility.

Women can now cultivate their own businesses, sell their own merchandise, network, advertise, and empower and inspire people independently online. Social media has given women something female artists throughout history never had: access. However, with that access comes a new sort of vulnerability: Women who use the Internet to promote their own work often have to put up with aggressive online harassment, especially if their art focuses on their sexuality or their identity.


Exposing the employment ploy at concert promoter Live Nation

LA Times: Brian Hill is a 28-year-old stagehand from Atlanta who's been planning to address Wednesday's annual shareholders meeting of the giant Beverly Hills-based concert promotion firm Live Nation Entertainment.

Hill has been hoping to explain that Live Nation condemns stagehands in his home region to poverty-level wages while depriving them health and retirement benefits. Conditions in many venues are dangerous and unhealthy — sometimes the workers aren't even given water to drink. Safety training is all but nonexistent.


Northwestern Burlesque makes changes after concerns about inclusiveness, diversity

The Daily Northwestern:With Northwestern Burlesque surpassing 100 cast members for the first time this year, participants raised concerns that its solo and small group performances do not sufficiently represent different races, body types and experiences.

Following the concerns, the show’s directors said they are working to make the show feel more inclusive.


'Jubilee,' an iconic showgirl spectacular, takes its last steps in Las Vegas

Las Vegas Review-Journal: They seemed to sense this one might be the last, even if they didn't know how long it would last.

On the eve of the opening of "Jubilee" in July 1981, its sky's-the-limit producer, Donn Arden, told a journalist, "(T)hey allow me enough budget that no one in this decade anywhere in the world will be able to top what we've done, because of inflation and the moneys that are required to do major productions."

In 2004, Tony-winning lighting designer Ken Billington did lighting updates on Bally's "Jubilee," and mused, "Shows like this don't exist anymore. Could anyone even afford to do one nowadays?"


Warner Music Pays $14 Million to End 'Happy Birthday' Copyright Lawsuit

Hollywood Reporter: The music publisher will also not stand in the way for a judge to declare the song to be in the public domain.

Sing the song, blow out the candles, eat the cake and unwrap the gifts.

According to a court filing on Monday, music publisher Warner/Chappell will pay $14 million to end a lawsuit challenging its hold on the English language's most popular song, "Happy Birthday to You."

Tuesday, February 09, 2016

Worth a Look

Here are a few posts from last week's Greenpage that might be worth your time...

Let’s Talk About Who Bears Responsibility For Cultural Appropriation

The Frisky: Monday’s piece “Beyonce is Not Appropriating in Hymn For The Weekend” sparked some expected backlash and I would really love to address some of the concerns that were raised in the comments section out of respect for my readers.

I want to stress the fact that Beyonce’s participation in the video was utterly and absolutely exploitative. The video reduced India’s beautiful and complex culture to a stereotype. I do not want that to be overshadowed by the conversation about appropriation. Whether or not the video was disrespectful is not up for debate– it was.


Muslim teen wants to be first professional hijabi ballerina

NY Daily News: This Muslim dancer is raising the barre.

Sydney schoolgirl Stephanie Kurlow wants to become the first hijabi ballerina in the world - and to open a dance school for girls of all backgrounds to pirouette in her footsteps.

“Dancing is like flying for me. It makes me feel free,” the poised 14-year-old tells the Daily News.


What’s My Line?

David Simon: Most of the time, writing for film or television – if the writer retains a producer’s title on the set – is a straight, simple negotiation: Here’s the page. Say the lines. Yes, like you mean them, as a good actor would. You’re a good actor, right? Of course you are. That’s why we wanted you. So, you talented, photogenic prick motherfucker, say the fucking lines the way they were fucking written and then we can all go to the bar pretending to be friends.

Okay, so it isn’t quite that totalitarian.


Cardiologist hopes to decrease cardiac death in touring professionals

WWAY TV3: One Wilmington cardiologist is hoping to make a difference in the music industry.

Doctor Damian Brezinski recently created a nonprofit called ‘Keep the Beat Alive’. The organization is dedicated to decreasing premature cardiac death in touring professionals.

Brezinski’s friend and patient Chris Musgrave spent more than 20 years in the music industry, but one day would be turning point for him.


Broadway's FIDDLER ON THE ROOF to Donate Portion of Ticket Sales to Flint, MI This Month

www.broadwayworld.com: The producers of the hit Broadway revival of Fiddler on the Roof announced this morning that the production will donate $2 from every full-price ticket purchased to the show for all February 2016 performances to The United Way of Genesee County's Flint Water Fund, which directly provides aid the Michigan city's residents, currently suffering from a critical drinking water contamination crisis.