Here are a few posts from last week's Greenpage that might be worth your time...
Williamstown Theatre Festival Cancels Summer 2026 Programming
Playbill: Massachusetts' Williamstown Theatre Festival will not present programming in summer 2026. The summer theatre company will resume in 2027. The company says it will use the intervening time "to activate a new phase of artistic research, development, and year-round engagement," aimed at creating a sustainable model of newly year-round programming, with the annual summer Festival as a cornerstone.
New President of NYC Musicians' Union on Broadway Strike, AI and More
www.hollywoodreporter.com: Dan Point has taken over the leadership of the American Federation of Musicians Local 802, the union for Broadway and New York City musicians, months after the union was set to go on strike.
Enter ‘Stage Right:’ Central Ohio home to nation’s only conservative theater company
NBC4 WCMH-TV: If all the world’s a stage, Robert Cooperman feels half of it is missing its spotlight. “Artists will look at society or an issue in our culture and say, ‘I don’t like that,’ and they might write a play about it. … Why can’t people who are more conservative do that?” Cooperman said. “When we do it, it’s considered political. And when the other side does it, it’s considered art.”
Statutory Damages: The Fuel of Copyright-based Censorship
Electronic Frontier Foundation: Imagine every post online came with a bounty of up to $150,000 paid to anyone who finds it violates opaque government rules—all out of the pocket of the platform. Smaller sites could be snuffed out, and big platforms would avoid crippling liability by aggressively blocking, taking down, and penalizing speech that even possibly violates these rules. In turn, users would self-censor, and opportunists would turn accusations into a profitable business.
Metropolitan Opera Announces Layoffs, Salary Cuts & Postponement of a New Production
OperaWire: The company’s General manager Peter Gelb told the New York Times that he was forced to take these steps due to concerns with the Saudi Arabia deal, under which the Saudis agreed to subsidize the Met in exchange for the company performing at the Royal Diriyah Opera House near Riyadh three weeks each winter. He added that although he remained confident that the deal would happen, his decision to make cuts was due to concerns about the future of the Saudi arrangement.








