Sunday, February 23, 2020

DP Weekly Wrap Up


COSTUME PRODUCTION


SCENE DESIGN


TECHNICAL DIRECTION


SOUND DESIGN


LIGHTING DESIGN


STAGE AND PRODUCTION MANAGEMENT


VMD

Sunday, February 16, 2020

Worth a Look

Here are a few posts from last week's Greenpage that might be worth your time...

From the National Endowment for the Arts Chairman: Celebrating Black History Month

NEA: Here at the National Endowment for the Arts, we celebrate Black History Month because we know that you cannot tell the history of the arts in the United States of America without including the many long-lasting contributions of African Americans to the country’s cultural landscape. For example, even as 13 overseas British colonies were working to become an independent nation, an enslaved young woman in Boston, Phillis Wheatley, was creating work that ranked her among the best-known poets of the time.


Groundbreaking Weekend of Women+ allows space to learn and heal

UNCSA: “I am continuously amazed how often I have to stop myself and remember that it wasn’t until my late 30s that I got to experience rooms like this,” said Nicola Rossini, as she addressed a theater full of students, faculty and staff during the recent Weekend of Women+ at UNCSA.


AB5 backlash: California's arts community sounds off on new law

Los Angeles Times: AB5, California’s new gig economy law, has left the state’s performing artist community in a state of fear and confusion.

The law is intended to reduce worker misclassification, making it harder for companies to treat workers as independent contractors. It establishes a test to determine whether workers are employees who should receive minimum wage, paid sick days and other benefits.


Backdrops, front and center: These massive paintings by unheralded movie studio artists, which provided magical settings during Hollywood's Golden Age, are finding a new life

CBS News: They're just paint and canvas, but in Hollywood's Golden Age, painted backdrops played a vital role in the magic of movies, creating cities, sunsets, or anything else a director could imagine.

Art professor Karen Maness appreciates every brushstroke. "The backdrop is part of extending the world of the set," she said. "Often times it was just seen outside windows. But sometimes it even included the entire world of a set on a sound stage and creating that environment."


Costume Designers on Pay Equity Within the Guild

Variety: Costume designers have been fighting for pay equity for years, gearing up for their 2021 contract negotiations by establishing a committee highlighting the difference in pay between the mostly female Costumer Designers Guild and the primarily male membership of the Art Directors Guild Local 800. According to Amy Roth, who designed costumes on “Motherless Brooklyn” and “Madame Secretary,” those gender issues are at the heart of the matter.

Friday, February 14, 2020

DP Weekly Wrap Up


STAGE AND PRODUCTION MANAGEMENT


COSTUME PRODUCTION


TECHNICAL DIRECTION


VMD


LIGHTING DESIGN


SOUND DESIGN


SCENE DESIGN


COSTUME DESIGN


Sunday, February 09, 2020

Worth a Look

Here are a few posts from last week's Greenpage that might be worth your time...

Super Bowl halftime show: A parental warning for JLo, Shakira?

www.usatoday.com: Was the Super Bowl halftime show obscene?

That's the debate roiling social media the morning after the Kansas City Chiefs beat the San Francisco 49ers in Super Bowl LIV. It was a great game, a fantastic comeback engineered by the Chiefs' young quarterback Patrick Mahomes.


We visited the studio that puts high-tech fashion on Billy Porter and Janelle Monáe

The Verge: ThereThere are no rules on “Freaky Friday” at Smooth Technology’s Brooklyn studio. Accompanied by a robot bartender that, through facial recognition software, remembers your drink preference, a light-up demon babydoll, and a boatload of tools, the team gathers to spitball ideas. The wilder the better. And while freedom to explore the freaky is chicken soup for the innovator’s soul, it’s “Meticulous Monday” that keeps the team grounded in their fast-paced and pioneering ventures.


IATSE urges Congress to support the Protecting the Right to Organize Act

IATSE Labor Union, representing the technicians, artisans and craftpersons in the entertainment industry: Yesterday, Matthew D. Loeb, International President, IATSE sent a letter urging Members of Congress to support the Protecting the Right to Organize (PRO) Act, H.R. 2474, and to oppose weakening amendments and any Motion to Recommit when the House of Representatives considers the bill this week. The letter was sent to all members of the House of Representatives ahead of the expected PRO Act vote on Thursday, February 6.


From high art to tipsy night out: has immersive theatre sold its soul?

Stage | The Guardian: With seven cast members, three understudies, 59 different ways to see the show unfold and more than 1,000 performances in four years, the Guild of Misrule’s The Great Gatsby has established itself as the longest-running immersive play in the UK. Each night, in a converted mansion block in central London, about 200 people pack in – often in roaring 20s fancy dress and most likely tipsy – to experience a two-and-a-half-hour production that lands somewhere between a Fitzgeraldian fantasy-scape and an office party.


How fungi can help create a green construction industry

theconversation.com: The world of fungi has attracted a lot of interest and seems to be becoming very fashionable of late. A new exhibition at Somerset House in London, for example, is dedicated to “the remarkable mushroom”. No surprise: we’re being promised that mushrooms may be the key to a sustainable future in fields as diverse as fashion, toxic spill clean ups, mental health and construction. It’s in this last field that my own interests lie.