I just happened to think the convergence of these four articles in one week was of particular interest...
Michael Kaiser: The Death of Criticism or Everyone Is a Critic
Huffington Post: One of the substantial changes in the arts environment that has happened with astonishing speed is that arts criticism has become a participatory activity rather than a spectator sport.
Every artist, producer or arts organization used to wait for a handful of reviews to determine the critical response to a particular project. And while very few critics for a small set of news outlets still wield great power to make or break a project (usually a for-profit theater project which runs longer and therefore needs to sell far more tickets than any other arts project), a larger portion of arts projects have become somewhat immune to the opinions of any one journalist.
On Michael Kaiser and Citizen Critics
Createquity.: Responses are all over the original post and the blogosphere; Andy Horwitz has one of the best over at Culturebot. You don’t need to think too hard to guess at my reaction; after all, I’m on record as saying that I think citizen critics (though I prefer the term “curators”) are the potential saviors of the artistic marketplace. However, that’s not to say that everyone’s opinion matters equally in every context. I believe in experts, I just think that newspaper editors shouldn’t be the only ones who get to decide who the experts are.
There's No Such Thing as Constructive Criticism
The Energy Project: Here's a question guaranteed to make your stomach lurch: "Would you mind if I gave you some feedback?"
What that actually means is "Would you mind if I gave you some negative feedback, wrapped in the guise of constructive criticism, whether you want it or not?"
The problem with criticism is that it challenges our sense of value. Criticism implies judgment and we all recoil from feeling judged. As Daniel Goleman has noted, threats to our esteem in the eyes of others are so potent they can literally feel like threats to our very survival.
Stephen Sondheim: who needs critics?
The Guardian: After a rotten review, you don't remember the good ones. The only pleasure you have is to reiterate, both to yourself and to anyone who'll listen, the bad ones, which you can quote in exquisite detail. Moreover, you have to come to terms with the truth that no matter how doggedly you try to deceive yourself to the contrary, if you're going to believe your good reviews, you're going to have to believe the less good ones as well, unless you're deeply self-delusional.
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