Here are a few posts from last week's Greenpage that might be worth your time...
Promise: What Does a Gen AI Content Studio Look Like?
www.indiewire.com/news: In November, a new type of content studio, Promise, was launched. Backed by high-profile investors, including producer Peter Chernin, Promise announced at its outset that it aimed to produce film and TV series by incorporating generative artificial intelligence tools into its production workflow, partly by utilizing its proprietary software MUSE.
Disney Costume Designers Fulfill Make-A-Wish Kid's CINDERELLA Dream
www.broadwayworld.com: Disney’s costuming team fulfilled the dream of Make-A-Wish kid Rita by working with her on a custom dress. The Cinderella fan had a one-on-one gown design session with Disney designers to create “Rita’s Rose Diamond Dress." See photos from her visit, which also included a tour of their costuming building and fabric library, character meet-and-greet, and more!
B.C. film/TV unions draw lines on AI use
Business in Vancouver: Regulations in B.C.’s film and TV industry are keeping the threat artificial intelligence poses to job security at bay for now, but some creative sector unions are struggling with adoption and what it might mean for members. From a screenwriting standpoint, the industry hasn’t yet experienced the full impact of AI, nor has the technology threatened the work of screenwriting professionals, said Writers Guild of Canada (WGC) Pacific-Western region councillor Jason Filiatrault.
Cause for Celebration and Calls for Change: The Museum of Broadway's Black Storytellers Exhibit
www.broadwayworld.com: The energy of attendees walking through the Museum of Broadway's new limited-time exhibit centered around Black storytellers was palpable during its February 3rd opening night. Crafting Excellence: Black Storytellers of Broadway — presented in partnership with Broadway Cares — highlights the work of playwrights, librettists, lyricists, and composers spanning decades.
How Could the Audition Process be Better for Dancers—and for Hiring Teams?
Dance Magazine: With more talented dancers competing for fewer jobs, audition season has become a gauntlet of overcrowded open calls and time-consuming self-tapes. Could auditions be more productive and less painful, for performers and hiring teams alike? A group of high-level performers and choreographers weigh in on their biggest audition issues—and offer solutions.
