Worth a Look

Here are a few posts from last week's Greenpage that might be worth your time...

Broadway Actors to Receive 3 Percent Pay Increase With New Contract

Playbill: On October 18, following weeks of tense negotiations that also included the threat of a strike, the actors-stage managers union Actors' Equity Association and the Broadway League came to an agreement on the details of a new Broadway work contract. On October 22, details of the new three-year Production Contract were released to Equity's membership, who have until October 30 to vote on whether or not to adopt the new contract.

 

CBS, MTV, BET hit hardest as Paramount layoffs begin- Fast Company

www.fastcompany.com: The entertainment giant began cutting around 1,000 workers on Wednesday, with twice that many pink slips expected in the days to come. In a memo to staff, new Paramount CEO David Ellison characterized the reductions, which will ultimately shrink the company by 10%, as a necessary step for the company’s long-term growth.

 

'Task' Dialect Coach Susanne Sulby on Teaching the Delco Accent

variety.com: Throughout “Task,” the seven-episode crime thriller that concluded on HBO on Oct. 19, viewers were re-introduced to the specific Delaware County, Pa. accent that they’d perhaps first heard in HBO’s 2021 hit “Mare of Easttown,” from creator Brad Ingelsby. On “Mare,” southeastern Pennsylvanians were generally pleased with the way that Kate Winslet, Jean Smart and especially Evan Peters bravely tackled the sounds of the region.

 

White House Movie Theater Demolished in President Trump Ballroom Build

www.hollywoodreporter.com: The White House family theater, which has held movie screenings for Presidents, their families and other invited guests for decades, is among the structures removed from the East Wing as part of President Trump’s $300 million ballroom project.

 

‘We want to use this as a launchpad’: can A24 also conquer the world of theater?

US theater | The Guardian: On a recent Saturday night in downtown Manhattan, a sold-out crowd at the Cherry Lane Theatre delighted in one of the most bizarre sights in recent New York stage memory: comedian Natalie Palamides, dressed as if in split screen – her left side bedecked in Y2K girl signifiers (butterfly clips, low-rise jeans), her right in bro clothes (cargo pants, flannel) – barreling across the stage and tangling with … herself.