Here are a few posts from last week's Greenpage that might be worth your time...
TCG Circle: Over the past several years, the theatre community has become more and more anxious about “audience engagement” and less and less certain what that actually means. Some people think it means audience participation theatre, which can run from happening-style performance events to walkthrough shows like Fefu and Her Friends and Sleep No More to hauling unwilling audience members into the spotlight for 90 seconds of uncomfortable awkwardness. Some people think it means enabling the audience to participate in the show’s creation in some way. Some people think it means doing shows that engage your local audience by reflecting them in some way—usually season planning and/or casting—and creating events attached to the show, like talkbacks, community outreach events, or a lobby display audience members can add to or interact with.
Parabasis: AEA took the rhetorical gloves off today, explaining why it was offensive to use civil rights era imagery as part of a protest against the union and giving people a refresher course on what a union is for. My guess is this only serves to further antagonize people who don't support the union's position (there is some public calls for the union to apologize for the letter, but I see nothing in here necessitating an apology), but part of me is just happy to see them stand up for themselves in the face of millionaire movie stars tacitly advocating for their most vulnerable employees to turn scab.
www.cirquefascination.com: The Caisse de dépôt et placement du Québec is vying for a minority stake in the Cirque du Soleil as political opposition mounts over the prospect of a foreign takeover of the famed Montreal circus company.
According to people familiar with negotiations, the Caisse has made overtures to potential suitors that it would like to join the winning bid for the Cirque du Soleil by acquiring a minority stake of about 10 per cent. These sources said the Caisse, Canada’s second-largest pension fund managers by assets, is reluctant to buy a bigger stake because the production company is in need of significant capital to revitalize some of its struggling shows and expand into new foreign markets. A Caisse spokesman declined to comment.
Backstage: Touring is a rite of passage for many young performers, and an amazing way to see the country and impact communities far and wide. From full-fledged Shakespeare to “Berenstain Bears,” here are 12 touring theater companies that make a difference across the United States.
Variety: A coalition of several organizations issued a statement on Wednesday condemning a Deadline Hollywood article that sparked controversy for its characterization of the TV industry’s casting practices regarding minority actors.
The coalition, comprised of American Indians in Film and Television, Asian Pacific American Media Coalition, NAACP Hollywood Bureau and National Hispanic Media Coalition, condemned Deadline for publishing “inaccuracies and misconceptions.”