Here are a few posts from last week's Greenpage that might be worth your time...
American Theatre Artists: Don’t Throw Away Your ShotAMERICAN THEATRE: On Friday night, Vice President-Elect Mike Pence walked into the Richard Rodgers Theatre for a performance of Hamilton and was booed by the audience. These were the boos heard round the world, including by President-Elect Donald Trump, who tweeted multiple times about the incident
“Pop!”-Up Theater Extends Venues and Audience Experiencesurban excavations: “I wanted people to just be able to happen upon it and see something weird and go: what was that?” Dramaturg Kelly Kerwin reflected recently on her temporary “pop up” performance festival. POP! comes at a pivotal career stage, and was funded by the Bly Creative Capacity Grant, a two-year-old initiative hosted by the Literary Managers and Dramaturgs of the Americas.
ACTRA Backs SAG-AFTRA Video Game StrikeVariety: The Alliance of Canadian Cinema, Television and Radio Artists has backed SAG-AFTRA’s month-long strike against video game companies. “All of ACTRA’s 23,000 members from across Canada stand in solidarity with our sisters and brothers at SAG-AFTRA as they take job action until they can negotiate a reasonable deal for their Interactive Media Agreement,” said ACTRA President Ferne Downey in a statement issued Tuesday
Judge Allows Bid to Free "We Shall Overcome" From CopyrightHollywood Reporter: A group of plaintiffs have overcome the first major hurdle in a lawsuit that aims to establish that the unofficial anthem to the Civil Rights Movement is not really under copyright protection. On Monday, a New York federal judge rejected a publisher's bid to dismiss, ruling that the plaintiffs have plausibly alleged that lyrics in the first verse of "We Shall Overcome" were copied from material in the public domain and that there's been a fraud on the U.S. Copyright Office.
A New Model of Female Producers: The WP LabHowlRound: We are the five producers of the 2014–2016 WP Lab, a two-year residency offered by WP Theater (formerly known as Women’s Project Theater) in New York to 15 female-identifying playwrights, directors, and producers. The Lab was established in 1983 for directors; it expanded to include playwrights in 1994 and again for producers in 2006. It provides professional and artistic development through mentorship, networking among Lab members and within the larger theater community, entrepreneurial and leadership training—and perhaps most importantly—tangible resources for the development and production of bold new work for the stage.