Here are a few posts from last week's Greenpage that might be worth your time...
JOL: In Paris last Friday, 13 November 2015, a few jihadi cowards stormed into Le Bataclan and murdered scores of people with AK-47’s. At FOH, the house lighting tech, Nathalie Jardin, took rounds and died form her injuries. Merchandiser Nick Alexander died from his gunshots onsite. They were just at work, doing what they loved, making the almighty dollar, but mostly digging the journey that we call Entertainment.
Flavorwire: The Anne Frank Fonds has announced it intends to re-file their copyright of Anne Frank’s famous diary, adding Anne’s father Otto Frank (who incidentally established the Anne Frank Fonds in 1963) as a co-author of the book.
Why is this happening? Because The Diary of Anne Frank was supposed to enter the public domain on January, 1, 2016.
HowlRound: Since I first wrote about color-conscious casting, I’ve learned—by directing my own productions as well as casting plays that I did not direct—that color-conscious casting doesn’t guarantee a color-conscious production. Diverse casting is a cause; a more challenging and/or inclusive conversation is not inherently an effect.
To recap, I believe that “color-conscious” casting means casting a production with a lens for how race factors into the story of the play. It’s treated as an additional given in the fabric of the production. For me, “color-blind” casting doesn’t work because audiences are not blind to how diverse casting changes their view of the story. I think sometimes, during casting, we put blinders on and then forget to take them off when we enter the rehearsal room.
OnStage: It’s been a difficult week. From terror in Paris, Beirut, and Baghdad to racial tensions at the University of Missouri and other college campuses nationwide…it’s been a difficult week. When things get this hard and this stressful, I think back to a question someone asked me once when I was an undergraduate. “Why,” they asked, “when there are people starving, and terrorists, and police brutality, and injustice, and racism, and political upheavals, and homeless people, and so many other terrible things, WHY would you think THEATRE is important?!?” My answer then is the same as my answer now. Theatre is important specifically BECAUSE of all of those things.
Hackaday: Suspension bridges are far and away the target of choice in America’s action blockbusters. In just the past three years, the Golden Gate Bridge has been destroyed by a Kaiju, Godzilla, a Skynet-initiated nuclear blast, and a tsunami. Americans don’t build real bridges anymore, or maintain the ones that we have, but we sure love to blow them up in movies.