Monday, May 14, 2018

Worth a Look

Here are a few posts from last week's Greenpage that might be worth your time...

EU rule could leave theatres dark

Letters | Stage | The Guardian: I am writing to you as the president of the Association of Lighting Designers, and as the Founder of Theatre Projects, an international theatre design company that for 60 years has been at the forefront of British theatre technology, responsible for the stage design of the National Theatre, and for over 1,500 theatre projects in 80 counties.


A Mass of Copyrighted Works Will Soon Enter the Public Domain

The Atlantic: The Great American Novel enters the public domain on January 1, 2019—quite literally. Not the concept, but the book by William Carlos Williams. It will be joined by hundreds of thousands of other books, musical scores, and films first published in the United States during 1923. It’s the first time since 1998 for a mass shift to the public domain of material protected under copyright. It’s also the beginning of a new annual tradition: For several decades from 2019 onward, each New Year’s Day will unleash a full year’s worth of works published 95 years earlier.


Charlie Douglass and his Laff Box invented the laugh track as we know it.

slate.com: Douglass was a mechanical engineer who had worked on radar for the Navy in World War II, so he knew his way around audio and electronics. In 1950, The Hank McCune Show, a mostly forgotten series from NBC, had used a rudimentary laugh track. But by 1953, Douglass had developed a better way to insert a laugh into a show. If you’ve ever watched an old sitcom, you’ve almost certainly heard his work.


Stage Managers And Human Reaction Time

TheatreArtLife: When I was first learning how to “be” a stage manager, I learned how to properly record blocking, how to lay out spike tape, and the best way to distribute a schedule. Nothing prepared me for having a direct impact on the physical well-being of my performers.


A Colorblind Make-up Artist Defies the Odds

Make-Up Artist Magazine: Being a make-up artist is a challenge. Being a colorblind make-up artist is a conquest.

Toby Derrig found out he was colorblind in first grade when he accidentally colored a Texas Longhorn green and almost got sent to the “time out chair” for messing around. That led to a doctor’s appointment where he was diagnosed with extreme deuteranopia. Derrig was colorblind.

Worth a Look - Time's Up

And five more:

WriteGirlTaps Actors, Screenwriters to Support Young, Female Writers

Variety: Actors and screenwriters came together Saturday night to support the young women involved in WriteGirl at the organization’s annual Lights, Camera, WriteGirl! event.


Tribeca Film Festival 2018: Time’s Up Staged a Tribeca Takeover

theglowup.theroot.com: Saturday was a day of reckoning at the Tribeca Film Festival as voices from the #MeToo and #TimesUp movements brought their message of survival, empowerment and advocacy from Hollywood to New York City. Oscar-winning actresses Julianne Moore and Lupita Nyong’o, Tony Award winner Cynthia Erivo, actresses Jurnee Smollett-Bell and Ashley Judd, former NFL player Wade Davis, activist Tarana Burke—who was also awarded a Disruptive Innovation award at this year’s festival—and more were on hand to talk about the movement’s momentum and what comes next.


Time's Up Women of Color Tell Their Industry to #MuteRKelly

The Mary Sue: We’ve already taken down Bill Cosby for his decades-long history of abusing and assaulting women. Now, it’s R. Kelly’s turn. The Women of Color of Time’s Up have banded together to call on their industry to boycott and investigate R. Kelly.



A Matter of Legitimacy: Female Nudity On-screen

Balder and Dash | Roger Ebert: Hollywood is built on negotiations. Managers negotiate rates, stars negotiate their time. But actresses are often gifted an additional element to negotiate: the surrender of their bodies for the camera. Where a bare breast was once considered taboo, now audiences barely bat an eye at female nudity. It’s expected, anticipated, demanded. With the rise of #MeToo and #TimesUp we’ve seen women gain equal pay and a more comforting atmosphere regarding sexual harassment, yet on-screen nudity remains an ambiguous gray area.


The Crown's Claire Foy to Receive $275,000 in Back Salary Following Pay Disparity

themuse.jezebel.com: In March of this year, Left Bank Pictures, the producers behind Netflix’s monarchy fantasia The Crown, found themselves in hot water after revealing that supporting actor Matt Smith (Prince Philip) takes home a larger salary than star Claire Foy (Queen Elizabeth II).

Tuesday, May 01, 2018

Worth a Look

Here are a few posts from last week's Greenpage that might be worth your time...

Term of Affection? Ethnic Slur? Theater Union Decides That ‘Gypsy’ Must Go.

The New York Times: They are itinerant singers and dancers. Chorus members. The names below the title. But should they still be called gypsies?

Actors’ Equity Association doesn’t think so. The union that represents stage performers announced this week that it would cease using the title “Gypsy Robe” to describe one of its most cherished insider rituals — the passing of a colorful patchwork garment from one chorus to another on a Broadway show’s opening night — citing the potential offense to Roma people.

The action is prompting a combination of reflection and head-scratching in the tight-knit theater world.


Music Modernization Act Unanimously Passes House of Representatives

Variety: In what is being hailed as a historic day for music creators, theMusic Modernization Act passed the House Wednesday, paving the way for improved royalty payments to songwriters, artists and creatives in the digital era. The bill, HR 5477, passed unanimously with 415 votes. The bill is overwhelmingly supported by the music industry, and has bipartisan support in the house, where it was introduced by co-sponsors Robert Goodlatte (R-VA) and Jerrold Nadler (D-NY).


The Simpsons' Hank Azaria Says He's Willing to Stop Voicing Apu

Collider: A few weeks ago, The Simpsons accidentally became relevant again, but not in the way the show intended. An episode titled “No Good Read Goes Unpunished” responded to the recent documentary The Problem with Apu, which points out that Apu, while not a malevolent figure, is an Indian stereotype that has been used to mock people of Indian and East Asian descent, so perhaps the show should rethink the character.


German theater asks guests to wear swastikas for Hitler play

The Seattle Times: A theater in southern Germany is proceeding with plans to open a satirical play Friday about Adolf Hitler’s youth in which some patrons will be wearing swastika armbands, despite objections and legal complaints. The Konstanz Theater’s production of George Tabori’s “Mein Kampf ” opens Friday night for a monthlong run.


How trans characters were described in screenplays.

slate.com: Earlier this month, a Vulture feature put screenwriters under a microscope, compiling their introductions for memorable female characters. The descriptions were sometimes worthy of the characters they ushered into the story, as with Carrie Fisher’s extensive and evocative description of Doris Mann in Postcards from the Edge. More often, they revealed a reliance on tired tropes and a fixation on physique—Double Indemnity‘s femme fatale is distinguished by her “very appetizing torso.”

Worth a Look - Time's Up

And five more...

Matt Smith Finally Speaks Out on The Crown Pay Disparity

The Mary Sue: Thanks to the Time’s Up movement, Hollywood’s gender pay gap is no longer a secret, and more stories are coming out. One egregious example came last month, when the producers of Netflix’s The Crown revealed that Claire Foy, who plays the title role of Queen Elizabeth II, was paid less than her co-star Matt Smith during the first and second season of the global hit. In fact, on a show reportedly budgeted at $7 million an episode, Claire Foy took home a comparably measly $40,000 per episode. That’s less than one percent of the budget allocated to the star.


Viola Davis Comments on #MeToo at Power of Women

Variety: On the red carpet for Variety‘s Power of Women New York event Friday, Viola Davis shared her thoughts on the #MeToo movement, its implications, and the lasting effects of sexual assault. “I think the conversation now is people really feel like the impact is just a woman loses her career — it’s way deeper than that,” Davis said. “You lose your life in that moment.”







Clayne Crawford Explains ‘Lethal Weapon’ Reprimands, Apologizes

Variety: Star Clayne Crawford apologized to the cast and crew of “Lethal Weapon” Tuesday in the wake of reports claiming that his behavior on set has endangered the future of the Fox drama.


Former union leader denies allegations

Albuquerque Journal: A former New Mexico labor and film union leader has denied allegations brought against him in a lawsuit.
Jon Hendry is the former president of the New Mexico Federation of Labor and the former business agent for the local chapter of the International Association of Theatrical Stage Employees.


Why I Am Boycotting Writers Theatre in Chicago

www.clydefitchreport.com: The controversy at Writers, a widely respected company located near Chicago, is a few months old, so I’ll quickly recap. Last fall, CFR broke a story that former Writers intern Tom Robson accused longtime Artistic Director Michael Halberstam of sexually harassing him both verbally and physically in 2003. The story spread to other outlets; soon, the trade publication PerformInk released a more detailed account of how widespread Halberstam’s harassment had been, reporting that “what happened to Robson has happened to others,” and that schools were even warning students about auditioning for the company.