Here are a few posts from last week's Greenpage that might be worth your time...
When the Arts Are Attacked, Democracy Is at Risk
Greater Pittsburgh Arts Council: I’m deeply concerned that our democracy is eroding—slowly, but deliberately—under the current federal administration. And if that’s true, we must ask ourselves: What are the warning signs we’ll wish we had paid more attention to? How many red flags will we overlook—or worse, comply with—before resistance is no longer possible?
Why Storytelling Is Key to Success in Musical Theater
Dance Magazine: A few decades ago, the choreography seen across Broadway stages looked remarkably similar. Dancers vying to be in musical theater studied the same movement techniques and perfected the same stylistic nuances—outstretched fingers, isolations, and clean, long lines. In recent years, the landscape has shifted and choreographers from all different genres of dance are bringing their unique styles to Broadway musicals and plays.
Television wasn’t the death knell for cinema – and that holds lessons for the creative industries and AI
theconversation.com: As television grew rapidly in popularity in the second half of the 20th century, many people assumed it would cause a knock-on crisis for the film industry. After all, it meant that viewers no longer had to leave their sofas to enjoy onscreen entertainment.
New App StagePlay Will Bring Live Performances to Mixed Reality Headsets
www.broadwayworld.com: A new app is coming to mixed reality headsets which will allow fans to be immersed into live stage performances. Scene Partners, an experiential entertainment venture builder, has announced StagePlay, a virtual platform and production process that will aim to extend the reach of live entertainment beyond physical venues, bringing performances to audiences worldwide. The app will launch with a performance from Blue Man Group.
To Kennedy Center or not to Kennedy Center? For DC audiences, that is now the question.
DC Theater Arts: Like many arts lovers in Washington, DC, I’ve been grappling with an existential question since February: Whether to attend the Kennedy Center or not. On February 12, just three weeks into his second term in office, Trump fired all 18 Democratic board appointees at the traditionally bipartisan institution and replaced them with his own political cronies, who immediately elected him chairman of the board. Because, as the new leader of the free world, a top item on his political agenda was deciding whether DC audiences will get to see Legally Blonde next year?