Worth a Look

Here are a few posts from last week's Greenpage that might be worth your time...

The Fall and Rise of Private Funding for Theatre

AMERICAN THEATRE: Corporate giving to theatres, long in decline due to shifts in attention toward social and political causes, has plummeted in recent years. Meanwhile the Trump administration and its enablers in Congress seem intent on decimating federal funding of the arts. For many theatres, then, the last best hope remains support from private foundations. Any cuts there feel like stab wounds, deadly enough to prompt a Shakespearean “Et tu?”

 

AI set to revive French playwright centuries after sudden death on stage

The Independent: What might 17th-century French playwright Molière have penned next, had he not tragically collapsed on stage while acting in on of his own plays. This tantalising question has finally been addressed thanks to a unique collaboration between French scholars, artists, and an artificial intelligence firm.

 

Matthew McConaughey and Michael Caine Support AI-Generated Voice Usage

Nerdist: AI usage has been a hot-button topic for as long as it has been around. Mixed reviews over the use of AI-generated celebrity voices has left a bad taste in plenty of mouths, including that of Zelda WilliamsOpens in a new tab. On the contrary, others view it as innovative. Actors Matthew McConaughey and Michael Caine are in full support of the technology, both licensing their voices to AI audio company ElevenLabs.

 

Jessica Thompson — Mastering, Restoration, and Preservation Engineer

SoundGirls.org: For more than two decades, Jessica Thompson has dedicated her career to the art and science of sound. As a mastering, restoration, and preservation engineer and founder of Jessica Thompson Audio, she has spent over ten years helping artists, labels, and archives bring recordings to life with precision, empathy, and deep musical understanding.

 

Laurie Metcalf and Other Steppenwolf Members on 50 Years of ‘Freedom Onstage’

The New York Times: In 1978, the actress Amy Morton ushered for a production of Lanford Wilson’s play “Fifth of July” that a scrappy theater company called the Steppenwolf — founded by Gary Sinise and Jeff Perry, friends from high school, and their friend Terry Kinney — took to the St. Nicholas Theater in Chicago.