News : The Stage:
People who attend plays have a level of wellbeing equivalent to the
amount of happiness derived from a £1,000 annual income increase, new
research on the social impacts of culture has found.
InAVate:
A new ‘theatre of the senses’ has fused eating with a projection
mapping show to create what must be one of the most impressive – and
expensive - dining experiences ever. Sublimotion, located on the Spanish
island of Ibiza, is the brainchild of renowned chef Paco Roncero. If
diners aren’t fazed by the cool €1,500 per head cost, they can take a
seat at the dining table which becomes the canvas for a colourful
projection show.
Arts Desk:
After just 16 performances on Broadway, Arena Stage's multi-million
dollar production of The Velocity of Autumn closed yesterday. Producers
made the announcement last Wednesday, mere hours after the play received
a Tony nomination for Best Leading Actress in a Play. Ticket sales were
dismal, the New York Times described it as "a little strained and too
whimsical," and neither its acclaimed stars nor director Molly Smith
couldn't save it.
Field Notes:
What happens when you try to create something new in your organization?
You might be lucky enough to be able to go off in a corner and sprint
through the design work without any disturbances. But more likely, you
are encumbered by some pesky obstacles otherwise known as policies and
procedures. You work tirelessly, are just inches from a reaching a
Eureka! moment, only to have one of the following happen:
You get thrown out of the conference room because you didn’t sign up for the time slot
You get dragged into staff meeting
You need authorization from your boss to go further, there are no approval forms in the tray and the printer is out of ink
And then a donut or facebook or something shiny catches your attention,
and it’s another day before you come back to your big idea.
Andi Osho's Life Blog:
This week I compiled a list of what I’m working on to help me better
manage my time. The list included screenplays, short films in different
stages of completion, various smaller projects and of course, this blog
–none of which are paid.
Across the internet there's much talk and lamentation for and from the
poor, struggling artist who is abused, taken advantage of and
disrespected by an industry that seems to expect them to work for free.
While that does happen, I have another take on working for free or, as I
think we should rebrand it, working for potential.