Here are a fwe posts from last week's Greenpage that might be worth your time...
The Clyde Fitch Report: For all the conversations going on in the theater industry about diversity, social change and audience engagement, I’ve noticed recently how infrequent it is that I actually end up having a distinct, contrasting opinion to the foundational arguments of the plays I see and read. This reflection comes in part as a result of starting my own theater company, and being now faced with the inevitable question of whether or not, as artistic director, I possess a moral monopoly over the work we produce. Is it better always to produce work that, at least in some way, reflects my own values, given that I need to be able to fully stand behind all our productions? Or does this restrict the diversity of viewpoints I also want to represent?
ArchDaily: Every good design should start with a sketch. The problem, as everyone knows, is that computers are killing sketching. Or are they?
To begin with, it’s questionable whether there really has been a decline in sketching, given the conviction with which so many architects defend the importance of hand drawing. Even for the most technologically savvy architects, many simply don’t see an alternative to the humble pen and paper.
HowlRound: The most anyone can hope for is to be wrong about Shakespeare in a new way.—T. S. Eliot
My name is Lue. And when it comes to Shakespeare, I’m afraid I might be just a little bit tone-deaf.
And after working at the Oregon Shakespeare Festival for more than twenty years, I am grateful that there isn’t a competency test because I would not have had the terrific career I have had. But there is much relief in finally confessing my dirty little secret.
Variety: You’ve probably seen the well-regarded — and deplorable — statistics about women’s employment in the entertainment industry from the Geena Davis Institute on Gender in Media, the Annenberg School of Communication and Journalism, and Dr. Martha Lauzen’s Center for the Study of Women in Television and Film. The statistics are discouraging, but I’m glad they exist. Without them we wouldn’t know the true shape of our working reality.
HowlRound: Imagine a place without war. A place where the environment is fully protected. A place that is dedicated to new discovery and scientific research. That near-utopian ideal is present in Antarctica, where the Antarctic Treaty has insured international cooperation and stewardship for decades. Theatre should also serve this purpose. There are a number of ways in which climate change is being addressed through theatre and the arts. But as Antarctica captures the imagination and shows us what can be done in the most extreme conditions, I propose that we adopt an ambitious agreement modeled on that success to aggressively address the urgency of climate change now. Will you be party to the Sustainable Theatre Practice Treaty?