Here are a few posts from last week's Greenpage that might be worth your time...
Broadly: Never before have female identified artists had a greater platform to showcase their work. With over 7 billion Internet users worldwide—400 million on Instagram alone—gallery owners and record label executives are no longer the gatekeepers of the female artists' visibility.
Women can now cultivate their own businesses, sell their own merchandise, network, advertise, and empower and inspire people independently online. Social media has given women something female artists throughout history never had: access. However, with that access comes a new sort of vulnerability: Women who use the Internet to promote their own work often have to put up with aggressive online harassment, especially if their art focuses on their sexuality or their identity.
LA Times: Brian Hill is a 28-year-old stagehand from Atlanta who's been planning to address Wednesday's annual shareholders meeting of the giant Beverly Hills-based concert promotion firm Live Nation Entertainment.
Hill has been hoping to explain that Live Nation condemns stagehands in his home region to poverty-level wages while depriving them health and retirement benefits. Conditions in many venues are dangerous and unhealthy — sometimes the workers aren't even given water to drink. Safety training is all but nonexistent.
The Daily Northwestern:With Northwestern Burlesque surpassing 100 cast members for the first time this year, participants raised concerns that its solo and small group performances do not sufficiently represent different races, body types and experiences.
Following the concerns, the show’s directors said they are working to make the show feel more inclusive.
Las Vegas Review-Journal: They seemed to sense this one might be the last, even if they didn't know how long it would last.
On the eve of the opening of "Jubilee" in July 1981, its sky's-the-limit producer, Donn Arden, told a journalist, "(T)hey allow me enough budget that no one in this decade anywhere in the world will be able to top what we've done, because of inflation and the moneys that are required to do major productions."
In 2004, Tony-winning lighting designer Ken Billington did lighting updates on Bally's "Jubilee," and mused, "Shows like this don't exist anymore. Could anyone even afford to do one nowadays?"
Hollywood Reporter: The music publisher will also not stand in the way for a judge to declare the song to be in the public domain.
Sing the song, blow out the candles, eat the cake and unwrap the gifts.
According to a court filing on Monday, music publisher Warner/Chappell will pay $14 million to end a lawsuit challenging its hold on the English language's most popular song, "Happy Birthday to You."