Here are a few posts from last week's Greenpage that might be worth your time...
HowlRound: If we told artists they could not have guns onstage or in movies, they would be furious at such an egregious suppression of the freedom of speech and expression. Imagine Annie Get Your Gun without guns. How would Annie come to the realization, “You Can’t Get a Man With a Gun,” as she sings in Act I? In Chicago, Roxie Hart can’t reinvent her story if she can’t show how “We Both Reached for the Gun.” Playwrights as diverse as Henrik Ibsen, Arthur Miller, and Suzan-Lori Parks all include guns onstage. Guns have a place onstage and in the movies without a doubt; however, the performance industry strictly regulates firearms.
Pro Sound Web: The much-discussed auction of the 600 MHz frequency band is happening in the U.S., and it may well affect present wireless systems as well as related issues such as frequency planning/coordination.
It’s important for everyone who works with creating the content that will stream on the mobile devices when the spectrum is cleared to understand the present situation and to be planning for the transition to different frequency bands.
The Mary Sue: Astrid should have been chief in How to Train Your Dragon 2.
If you’d been at DreamWorks Animation during the making of that movie, you might have heard that in the hallways–as I would excitedly start ranting about it to almost anyone who’d listen.
I worked there from 2009 to 2014 as an effects animator: about the farthest one could get from making creative decisions. And while making water break the laws of physics was creative work, I wasn’t exactly calling the shots.
But I did get to send in notes. And oh, did I send in notes.
Hollywood Reporter: The Motion Picture Association of America and the National Association of Theatre Owners have come out victorious in a lawsuit that insisted that tobacco imagery in films rated G, PG or PG-13 causes 200,000 children every year to become cigarette smokers and 64,000 people to die as a result. On Thursday, U.S. District Judge Richard Seeborg dismissed an attempt led by a California father of two to hold major film studios and theater owners legally responsible.
Variety: At venerable Pinewood Studios west of London, a fledgling Anne Coates hoped editing experience would serve as a stepping stone to directing. No surprise, the industry proved even more resistant back in the 1950s to female occupants of the canvas chair than today.
But the cutting room has always welcomed a woman’s firm hand, whether old school “cutting neg” or manipulating top-of-the-line digital equipment. The would-be helmer soon became a celebrated doyenne of the world editing community, subject of academic analysis of the “Anne Coates style,” a concept about which she claims to have no clue.