Here are a few posts from last week's Greenpage that might be worth your time...
Chez Stock: The Girl With The Audio Tattoo(s)
ProSoundWeb: I remember meeting Chez Stock for the first time. The first thing I noticed were the tattoos across her fingers spelling out “COMP” and “GATE.” I made a comment along the lines of “nice digital inserts” (I pun involuntarily) and, in spite of that, we had a nice conversation.
$25 Million in Grants Support Art Projects Nationwide
NEA: Each year, more than 4,500 communities large and small throughout the United States benefit from National Endowment for the Arts (NEA) grants to nonprofits. For the NEA’s first of two major grant announcements of fiscal year 2018, more than $25 million in grants across all artistic disciplines will be awarded to nonprofit organizations in all 50 states, the District of Columbia, and Puerto Rico. These grants are for specific projects and range from performances and exhibitions, to healing arts and arts education programs, to festivals and artist residencies.
So let’s talk about representation of bodies… richard iii redux
disabilityarts.online: spate of high profile all-female productions of Shakespeare the past few years – Maxine Peake playing Hamlet in Manchester and Phillyda Lloyd’s trilogy of Julius Caesar, Henry IV and last year’s The Tempest, to name just a few. As a woman working in theatre, I applaud any attempt to provide more visible platforms for women practitioners, and believe there is still much to be mined from the classics with cross-gender casting (and I mean male actors playing female roles here, too…). Yet in the midst of all this welcome talk about diversity and parity, I believe there is still one area hugely overlooked – and that is atypical embodiment.
Hastened by Technology, Hindered by Public Attitudes
HowlRound: Katie Sweeney tells the story of her son Dustin, a theatre-lover with perfect pitch who is autistic. He has a huge vocabulary, he’s memorized whole shows, but he doesn’t engage in conversation and never answers a question that begins with “Why?” Sweeney took her son to a Broadway show, choosing box seats off to the side, away from most of the audience. Dusty sang along with the songs. Ten minutes into the second act, an usher asked mother and son to leave, because he was disturbing the actors. As they left, Dusty, upset, kept on screaming: "Stay. Stay. Stay."
The (Mostly) Deep Meanings Behind Blue Man Group’s On-Stage Food
Chicago magazine | Dining & Drinking January 2018: Over 527 shows last year, the Blue Man Group went through roughly 18,500 marshmallows, 2,100 Twinkies, 2,000 pounds of Cap’n Crunch cereal, 26,300 pounds of Jell-O, 500 bars of Toblerone, and 67,300 bunches of bananas.
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