Here are a few articles from last week's Greenpage that might be worth your time:
Girls Shouldn't Try Raunchy Comedy, Variety Critic Says: Variety's television critic Brian Lowry let slip a bizarre opinion this morning while reviewing Sarah Silverman's upcoming HBO comedy special We Are Miracles—namely, that because she's a woman, she shouldn't be "as dirty as the guys." Uh. What?
Culture professionals network | Guardian Professional: The Unicorn was founded in 1947 as a touring theatre that operated out the back of a van and took plays around the country for children. Its core founding philosophy was that plays for children should be treated as, made the same way and judged the same way as plays for adults. Today, the Unicorn serves an audience aged zero to 21-years-old. At the moment, the majority of our audience comes from London and we're about half school audiences, half family audiences. We programme around 30 shows a year, of which about half to two-thirds are our own productions.
HowlRound: A couple of realizations have emerged from the National Gathering of the Latina/o Theatre Commons in Boston. Among them are two that pertain specifically to the knowledge and accessibility of Latina/o plays. We recognize that: 1. There is a great need for a catalog or list of Latina/o works for the general public, and 2. we need to determine which plays we presently consider to be influential works to us as theater makers. - See more at: http://www.howlround.com/101-plays-by-the-new-americans-or-on-latinidad#sthash.ljUXOju1.dpuf
HowlRound: Eco theater’s modern aesthetic began not in theater, but with the conservationist and naturalist writers of the nineteenth century. It can be argued that Henry David Thoreau, John Ruskin, William Morris, Edward Carpenter, and their contemporaries radically redefined our conceptual relationship to the natural world. They sought to achieve not merely a balance with nature, but a reverence and subjugation to it. These writers and other conservationist and naturalist authors, artists, and politicians led in large part to the formation of our national parks and first environmental legislation. Later theorists and artists in theater and literature have come to call this early writing and the later work inspired by it, ecocriticism.
Electronic Frontier Foundation: “Oh no!” said the email that went round the EFF office on Friday. Could it be true that the Beastie Boys had unleashed the legal hounds to shut down a parody ad that uses the group's classic misogynistic ditty, “Girls”? Surely not. As remix pioneers, the Beastie Boys are the veterans of many legal battles against copyright maximalists. The Beastie Boys aren’t copyright bullies, they fight those bullies. Right?