Sunday, July 12, 2009

Worth a Look

This week's highlights from the Greenpage...

Rivers Casino names restaurants, bars

Pittsburgh Business Times:: "“Our goal was not only to convey the character of each of the amenities in the Rivers, but to really reflect the character and class of Pittsburgh,” said Jim McKusick, president of Las Vegas-based advertising firm The Geary Co., in charge of advertising and branding for the Rivers Casino."


London Stages Where Three Dimensions Aren’t Needed

NYTimes.com: "Send in the cartoons. I’ve come to regard this as the new mantra of the National Theater, and I don’t mean the usual business of human actors dressing up like animals and monsters out of Disney and Dreamworks children’s movies. The cartoons I’m talking about are the real thing: proper two-dimensional drawings that run and wriggle and bend all over stages that they graciously share with less supple flesh-and-blood co-stars. The artist Jeff Koons’s images of Popeye, now on view at the Serpentine Gallery, look sadly earthbound (as well as muscle-bound) compared with these spirited creations."


Think it, Do it, Blog it: Mo'Olelo: Green Guidelines!

Think it, Do it, Blog it: Mo'Olelo: Green Guidelines!: "Seema Sueko from Mo'Olelo Performing Arts Company recently checked in about the progress of Mo'Olelo's Aha! project: the Green Theater Choices Toolkit Scorecard. If it all looks a little technical, don't worry, she enlisted the help of Eric Wilmanns of Brown & Wilmanns Environmental to help out with some handy definitions.
We have a proto-type for the Green Theater Choices Toolkit Scorecard!"


Lawmaker: Film tax credit a reel ‘waste’

BostonHerald.com: "A film tax break meant to lure Hollywood blockbuster cash to the Bay State has been a huge flop for taxpayers, delivering only 15 cents in revenues for each dollar the state gave away to moviemakers, according to a Department of Revenue report."


Leatherman Knifeless Fuse

Toolmonger: "The Leatherman Knifeless Fuse is a combination tool that comes without a knife. Marketed for “knife-prohibitive situations,” the tool contains 13 standard tools (needlenose/regular pliers, two wire cutters, wire stripper, small/large/Phillips screwdrivers, scissors, file, can/bottle opener, 8″ ruler) that one would expect in a multi-tool."


Why Hasn't The Recording Industry Sued Girl Talk?

Techdirt: "Peter Friedman has another wonderful post, discussing why music is the 'main battleground' in the copyright wars, raising a few good points -- including the idea that music master tapes are dying in vaults, causing locked up music to disappear, and highlighting a troubling series of case law decisions that seem to entirely ignore the concept of fair use when it comes to music (some of which we've discussed in the past here)."


Ex-‘Ragtime’ Producers Propose Lecture Tour to Pay for Fraud

Bloomberg.com: "Garth Drabinsky and Myron Gottlieb, the former Broadway producers with hits like “Ragtime,” have proposed to go on a Canadian lecture tour as part of their sentence for defrauding investors of millions of dollars, a plan rejected by a prosecutor as “a drastic departure” from the norm."


Anyone can advertise on the NY Times! Except for guess whom?

PRODUCER’S PERSPECTIVE: "I was reading a review on The Old Gray Lady the other day (not in print, mind you, but online) and I noticed an interesting ad appearing on the page."


Coming to a movie screen near you, the best in theater

csmonitor.com: "Theater lovers rejoice. The world's best stage productions are on their way to a movie house near you. Thanks to the digital revolution, everything from London's acclaimed National Theater production of Racine's masterwork 'Phèdre,' starring Helen Mirren, to the off-Broadway cult favorite 'Forever Plaid,' not to mention upcoming top Broadway musicals, are beaming into multiplexes from Reykjavik to Los Angeles – in high-definition and eventually 3-D, to boot."


Cats to return to West End

The Stage: "Equity is to launch a campaign to reintroduce theatre cats into London’s historic theatres, as part of the union’s ongoing bid to improve actors’ working conditions in the West End."

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