Sometimes it is difficult cutting down to five "Worth a Look" articles...
The Cut: Costume Designer Edith Head once said "If it's a Paramount film I probably designed it." She doesn't even have to pretend to be humble. Her influence continues — immortalized both as a character in Pixar's The Incredibles, and today, as a Google Doodle tribute in honor of her 116th birthday.
Tested: When Netflix debuted its original horror show Hemlock Grove this year, one of the things that got viewers and critics talking was the gruesome werewolf transformation in the first episode. It was a uniquely designed metamorphosis--and yes, it was gory--but if you ask me, it was held back by the production's reliance on computer generated graphics. The transformation looked too fake, shiny, and even rubbery. Which is ironic because the horror monsters of yesteryear looked better when they were actually made of rubber. Specifically foam latex.
Design FX: How Ender's Game Filmed Zero-G Battles That Obey the Laws of PhysicsUnderwire | Wired.com: A signature piece in Gavin Hood’s latest film Ender’s Game is its massive zero-gravity Battle Room — a place where the titular character played by Asa Butterfield trains for alien war. Seeing the film’s young stars float through weightless battle is a wonderful thing to behold — and something that took astronomical amounts of time and digital trickery.
theatrebayarea.org: In 2003, the National Football League was facing a problem in hiring not dissimilar to the one theatres are confronting today: its leadership didn’t look like the rest of its employees. That year, 70% of players were black, but only 6% of head coaches were. In fact, in the course of the NFL’s history up to that point, only seven head coaches of color had ever been hired. Those numbers meant that the problem wasn’t a pipeline issue, i.e., that there weren’t enough qualified candidates of color to interview for those positions. The problem, rather, was a glass ceiling issue, meaning bias was preventing qualified candidates from advancing.
Tested: About a decade or so back, I did a lengthy interview with screenwriter Dan O’Bannon about the film he would always be best known for: Alien. Alien first came together from several scripts O’Bannon came up with. One was called Omnivore, a sci-fi horror story about creatures that emerge from a million year life-cycle during an ecological dig. Then he wrote Star Beast, which later morphed into Alien.