Here are a few posts from last week's Greenpage that might be worth your time:
Austin Monitor: Although they’re used to being behind the scenes, the stagehands from ZACH Theatre are going public with their requests for more equitable pay.
On Sept. 1, representatives of the stagehands asked City Council to put stipulations on cultural organizations like ZACH Theatre requiring that they pay fair and stable wages. This is the first campaign for a newly forming stagehand’s union at the theater. At the heart of their fight, they say, is Austin’s creative community’s struggle to secure a stable living so it can afford to stay in the rapidly growing city.
The Theatre Times: Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the Playwriting Program at the Yale School of Drama from 1992-2004, while being the associate artistic director at the Yale Rep. He taught dramaturgy at Yale and was the director of the MFA Playwriting Program at Hunter College from 2011-2013, and is currently adjunct professor in the MFA Playwriting Program at Fordham/Primary Stages. Over the past thirty-five years, he has served as a dramaturg, director of new play development, and associate artistic director at venues such as the Arena Stage, the Alley Theatre, the Guthrie Theater, the Seattle Rep, theYale Rep and on Broadway, dramaturging and producing over two hundred plays.
The Ticker - Blogs - The Chronicle of Higher Education: Michele Roberge resigned this week as theater director at California State University at Long Beach after 14 years in the post, the Long Beach Press-Telegram reports. Her resignation followed a disagreement with administrators over whether the university’s performing-arts center should host the racially charged play N*gger Wetb*ck Ch*nk.
Theatre Bay Area: Early in the spring, conversations began to circulate around a local upcoming production of The Mikado by Lamplighters Music Theatre. In the past few years the Gilbert and Sullivan favorite has become a touchstone for protest and controversy. A Seattle production in 2014 inflamed and bitterly divided the city's artistic community, drawing attention from the national press.
Atlas Obscura: For years, noisy analog departure boards have been disappearing from Amtrak’s Northeast Corridor. These boards, most remarkable for the flapping, clacking sound they make as their split-flap cards flip to reveal new information, are often called Solari boards, after the Italian company that invented them. New York Penn Station lost its original one around 2000. Boston replaced its board, which was breaking twice a day, the Globe reported, in 2008. New Haven and Baltimore took theirs out of commission in 2010.