Here are a few acticles from last week's Greenpage that might be worth your time...
HowlRound: I made an error in the last article I wrote on color blind/conscience casting. Not in the position that I took that the practice is antithetical to full inclusion. I stand by that assertion. The error was in not reiterating the framework in which I am attempting to have this conversation about diversity in the American theater. So let’s go back to the beginning of the conversation…the definition of the word diversity.
Occupational Health & Safety: Due to the unique challenges that women face in the construction industry, the National Association of Women in Construction (NAWIC) has signed a two-year alliance with OSHA, according to Safety.BLR.com. The alliance will create targeted training materials and resources for companies to use with their female employees.
Techdirt: You'd think with all the threats facing the NFL and American football, such as Twitter-spoliers on draft picks and the impending SkyNET takeover, the powers that be in America's most-watched game wouldn't have time to deal with more minor threats from non-sentient-destructo-machines, but here's the stupidity of copyright on tattoos to prove me wrong yet again. You may recall that former athlete/tattoo issues have included Mike Tyson's face being visible in The Hangover 2, as well as UFC fighter Carlos Condit being depicted accurately in a THQ game.
World news | theguardian.com: When he was cutting his teeth as an actor, the only place James Ngcobo knew equality was on stage. "Towards opening night you sit with the director, getting notes, and then you look at your watch and you just know, 'My last bus has gone, I can't get back home,'" he recalls. "I had moments where you finish rehearsals at night and you go with the white actors and have a glass of wine or two and go and sleep in the park because I didn't drive then, there were no buses going back to the township and sometimes it was dangerous to go back to the township."
NPR: Monologist Mike Daisey has a new story to tell, and if you want to hear it, then you'd better settle in. It's going to take a month to get through it. In one sense, All the Faces of the Moon, starting Sept. 5 at the Public Theater in New York, is a collection of 29 different monologues, which Daisey will perform consecutively and for one night only. Each piece has its own narrative, so even if they see just one installment, audiences can have a complete experience. Pull back, though, and the project becomes a single massive opus — one that runs about 44 hours.